Canon 7D
Canon 1D Mark II
Tokina 11 - 16mm F2.8
Canon 18 - 200 mm IS F3.5 - F5.6
Canon 70 - 200 mm IS F2.8
Canon 300 mm 2.8
Canon Mark II 1.4x, 2x extenders
That first one is excellent! That kid has his race face on! Your exposure is excellent. Did you do any post-processing on these or is this how you captured them? I have mostly shot on snowy or cloudy days and the post-processing is brutal. It's taken me all season to start to figure it out. This is my first year of seriously shooting skiing and it's a lot harder than I expected. I haven't shot any racing, though. I'm more interested in backcountry and landscape shots. I wouldn't mind shooting some racing. But Alta's not a racing resort
Good to see some ski photos here. Keep them coming. And share some of your equipment and technique. Maybe I can learn something from you.
Thanks to the tips from everyone in the forums here I am starting to get a little better.
Used the 70-200 lens. It was great because I didn't have to stand in an area that was going to get me run over if the racer fell.
I only cropped and then fixed my white balance because I was off a bit.
Warren
Canon 7D
Canon 1D Mark II
Tokina 11 - 16mm F2.8
Canon 18 - 200 mm IS F3.5 - F5.6
Canon 70 - 200 mm IS F2.8
Canon 300 mm 2.8
Canon Mark II 1.4x, 2x extenders
Used the 70-200 lens. It was great because I didn't have to stand in an area that was going to get me run over if the racer fell.
I only cropped and then fixed my white balance because I was off a bit.
The 70-200 lens is also good because it has less depth-of-field and drops out the background. I would almost always use a long lens for race shots like these. It also allows you to shoot angles that you can't get with a short lens. The only way to get a photo of a racer coming right at you is from a distance, with a telephoto.
I am sensing that maybe you feel like post-processing is cheating? It's ok. Use all the tools you have at your disposal. I Photoshop the hell out of all my photos. Your exposures here are excellent. But I can still see a lot of ways to improve them. I shoot for Photoshop. That means I shoot for a file that gives me the maximum amount of usable detail to work with. Then I massage it into what I want with Photoshop. There's nothing wrong with that. We used to do it in the darkroom. But Photoshop is better. Way better. I do stuff now that I never could have accomplished in the darkroom. I love Photoshop!
I too would like to see more.
Shot even later as the most is whapped down into the snow in the turn?
What do I know, I've never tried shooting this
But I have a vision in my mind ... and it gets the pole down from up by the racer's head.
Maybe you can get some show flying and carving in the turn too?
I know that's difficult because it's not going to show up against the white snow behind unless it's dramatically back-lit, and that is going to make your exposure a challenge.