I have a total lack of respect for anything connected with society, except that which makes the roads safer, the beer stronger, the food cheaper, and the old men and old women warmer in the winter and happier in the summer. Brendan Behan
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I am no better than you. I critique to teach myself to see.
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Feel free to edit my photos or do anything else that will help me learn.
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Sony/Minolta - way more gear than talent.
Canon EOS 6d w/Battery Grip
Canon EOS 620
Canon EOS Rebel G
Canon EOS Rebel XS
Canon EF 24-105mm f/4L IS USM
Canon EF 85mm f/1.8 USM
Canon EF-S 18-55 f3.5-5.6 IS
Canon EF 25-80mm f4-5.6 III
Canon EF 70-210mm f4
Canon 35-70 f3.5-4.5
Canon Lens EF 50mm f1.8
Promaster FTD 6500M
Canon Speedlite 420ex
Yongnuo Speedlite YN560-II
Hector - love the wood grain and the overall shot. To me, it would be improved if it didn't have the bright area on the left (can't tell what it is) and if it had better separation from the background (small light behind???). – TF
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I am no better than you. I critique to teach myself to see.
-----------------
Feel free to edit my photos or do anything else that will help me learn.
-----------------
Sony/Minolta - way more gear than talent.
Thanks TF. Funny how you don't notice things until someone points it out.
The bright spot is the light that went in through the right F hole and is coming out of the left F hole. On the color version you can almost make out the serial number.
better separation from the background (small light behind???). – TF
Are you saying that I should illuminate the background so it shows up more?
Thanks TF. Funny how you don't notice things until someone points it out.
The bright spot is the light that went in through the right F hole and is coming out of the left F hole. On the color version you can almost make out the serial number.
Are you saying that I should illuminate the background so it shows up more?
Thanks for the help :thumbsup:
What I was thinking was to have a light behind that shines on the back of the subject. This creates a sort of halo effect that outlines and brings it forward from the background. I am certainly no expert at still photography (or any other actually) and this may not work, but if it does... - TF
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I am no better than you. I critique to teach myself to see.
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Feel free to edit my photos or do anything else that will help me learn.
-----------------
Sony/Minolta - way more gear than talent.
A.M.D.A. your tones (light & dark) are great wish I could get that in mine? Compared to yours mine seem washed out and to think I thought they were OK...back to the drawing board. What am I doing wrong? Cheers, S
:thumbsup: Shootme...
Please don't edit and re-post or use my images (not that you'd want to anyway...). without my written permission. Thank you
I saw a couple scenes this month that reminded me of this thread. Figured I should actually shoot some before the end of the month That image from yesterday morning.
This image from a couple days ago. I title it No Trespassing
A.M.D.A. your tones (light & dark) are great wish I could get that in mine? Compared to yours mine seem washed out and to think I thought they were OK...back to the drawing board. What am I doing wrong? Cheers, S
Well, I actually think your B&W tones look very nice.
I have still a long way to go in getting tones like some of the others here, but since you asked, here's how I do it:
There are three tools I usually use, for converting to B&W. #1. Channel Mixer. Select "Monochrome", and adjust the sliders for red/blue/green to obtain the best hues. #2. Levels. #3. Curves.
Then the other "regular" edits, like sharpening, cropping, etc.. Also some "vignette".
If you like, I can re-create one of these shots I posted here with a more detailed walk-through, over in the PP forum.
I posted this in the critique forum already, so some of you may have seen it.
I recently bought a few rolls of bw film, just to try out film. Still haven't shot anything as I have to get some new batteries for the cam. I'll post some if I take anything good, or I don't mess up the film somehow.
My favorite B&W sports shot. I like it because it's different & not your typical sports shot.
It's not blurry. It's bokeh.
Canon EOS 1D Mark IV
Canon EOS 5D Mark II
Canon EOS 1D Mark III
Canon 24-70mm EF f/2.8L
Canon 24-105mm EF f/4L IS
Canon Zoom Telephoto EF 70-200mm f/2.8L IS
Canon 17-40mm EF f/4L
Canon 15mm F/2.8 EF Fisheye Lens
Canon EF 100mm f/2.8 Macro
Canon 50mm f/1.8
Canon 600EX-RT Speedlite
Canon 580EX Speedlite
Canon EOS Rebel 300D
Canon EOS 1D Mark IV
Canon EOS 5D Mark II
Canon EOS 1D Mark III
Canon 24-70mm EF f/2.8L
Canon 24-105mm EF f/4L IS
Canon Zoom Telephoto EF 70-200mm f/2.8L IS
Canon 17-40mm EF f/4L
Canon 15mm F/2.8 EF Fisheye Lens
Canon EF 100mm f/2.8 Macro
Canon 50mm f/1.8
Canon 600EX-RT Speedlite
Canon 580EX Speedlite
Canon EOS Rebel 300D