I understand what you're saying about medium format. I have a Hasselblad but the results I get from the APS-C sensor in the D200 are so good and I have so much control over it in software that I'm switching over the the D200 for my studio work (as a humble amateur).Originally Posted by Loupey
But about the 24x36 "standard" - it certainly was a standard in the days of film when you had to get the thing processed by a lab. There were two sorts of cameras - point & shoots and SLR's. Serious users used SLR's.
But now - no lab so the sensor size is only important for those who have a DSLR with several lenses and for outright performance.
- A lot of my friends who used to have SLR's have gone over to digital point and shoot or bridge cameras because they're smaller and lighter than their SLR and yet give good results
- the vast majority of amateurs still using a DSLR (including me) and many professionals are finding that the APS-C sensor is more than adequate for their needs and is bringing some exciting new possibilities (my 18-200 VR is on order..)
I think that cameras with larger sensors will still be available but they will be niche products for specialists, more expensive than the APS-C equivalent. 24x36 will no longer be the "standard". But who cares? You pay your money and you take your choice..
Charles



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