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  1. #1
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    Ouch! Pain comes in many forms

    And these are just one game.

    #1: Catcher drops the ball allowing a baserunner to move o third base, and ultimately tie the game 2-2

    #2: The real pain...foultip off the hands!

    #3: Out at 2nd

    #4: Blowup of ball and glove in #1

    But even with all the pain the home team won 4-2

    JS
    Attached Thumbnails Attached Thumbnails Ouch! Pain comes in many forms-js065681-026.jpg   Ouch! Pain comes in many forms-js065681-038.jpg   Ouch! Pain comes in many forms-js065681-102.jpg   Ouch! Pain comes in many forms-js065681-026b.jpg  
    Canon 1D
    Canon 1D MK II N
    Canon 70-200mm USM IS f2.8
    Canon 200mm f1.8 USM
    Canon 300mm f2.8 USM IS
    Canon 28-300mm USM IS f3.5-5.6
    Canon 50mm f1.8
    Vivitar 19-35mm f3.5-5.6

  2. #2
    Senior Member
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    Re: Ouch! Pain comes in many forms

    Which lens was this one.

  3. #3
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    Re: Ouch! Pain comes in many forms

    Peter,
    These were all shot with the 28-300. I shot the whole game with it.

    JS
    Canon 1D
    Canon 1D MK II N
    Canon 70-200mm USM IS f2.8
    Canon 200mm f1.8 USM
    Canon 300mm f2.8 USM IS
    Canon 28-300mm USM IS f3.5-5.6
    Canon 50mm f1.8
    Vivitar 19-35mm f3.5-5.6

  4. #4
    Ex-Modster Old Timer's Avatar
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    Re: Ouch! Pain comes in many forms

    Amazing high quality and timing. If you are trying to impress me you did it with these. The ball and the catcher's mit is fantastic. Hard to find one sharper than that. Nice going John.
    Last edited by Old Timer; 04-18-2006 at 07:55 AM.
    Don't forget about the Gallery. Are your photos there??


    Nikon Samurai #13

    "A photographer is known by what he shows not by what he throws. The best photographers have the biggest trash cans." Quote from Nikon School sometime in the early 1970's.

  5. #5
    Not-so-recent Nikon Convert livin4lax09's Avatar
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    Re: Ouch! Pain comes in many forms

    was this with the 1d? or the Mk2N?

  6. #6
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    Re: Ouch! Pain comes in many forms

    MK II N, I haven't used the old 1D in a long time.

    JS
    Canon 1D
    Canon 1D MK II N
    Canon 70-200mm USM IS f2.8
    Canon 200mm f1.8 USM
    Canon 300mm f2.8 USM IS
    Canon 28-300mm USM IS f3.5-5.6
    Canon 50mm f1.8
    Vivitar 19-35mm f3.5-5.6

  7. #7
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    Re: Ouch! Pain comes in many forms

    Quote Originally Posted by Old Timer
    Amazing high quality and timing. If you are trying to impress me you did it with these. The ball and the catcher's mit is fantastic. Hard to find one sharper than that. Nice going John.
    Thanks OT, The catchers mit and ball are a 100% crop of the top shot. Shows what the MKII N can do even at JPG Large. I really like that 28-300 lens though, and I have yet to find any of the issues many seem to claim with it.

    JS
    Canon 1D
    Canon 1D MK II N
    Canon 70-200mm USM IS f2.8
    Canon 200mm f1.8 USM
    Canon 300mm f2.8 USM IS
    Canon 28-300mm USM IS f3.5-5.6
    Canon 50mm f1.8
    Vivitar 19-35mm f3.5-5.6

  8. #8
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    Re: Ouch! Pain comes in many forms

    JS,

    Great photos but I have a question. In the batter photo he is perfectly in focus, but you are obviously shooting at a shutter speed that doesn't stop the bat/ball motion, is this so that the batter is better in focus? Or to allow the motion feeling in the photo? Or something completely different?

    I have a tendency to shoot at high shutter speeds, I was taught to stop the action, but could I be giving up clarity overall in the rest of the photo?

    Thanks Don

  9. #9
    Not-so-recent Nikon Convert livin4lax09's Avatar
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    Re: Ouch! Pain comes in many forms

    normally, you want to stop the action but you can always play around with slower shutter speeds for interesting effects. But clear, frozen action is always preferable over a blurred subject. The faces should ALWAYS be in focus.

  10. #10
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    Re: Ouch! Pain comes in many forms

    Quote Originally Posted by donmash
    JS,

    Great photos but I have a question. In the batter photo he is perfectly in focus, but you are obviously shooting at a shutter speed that doesn't stop the bat/ball motion, is this so that the batter is better in focus? Or to allow the motion feeling in the photo? Or something completely different?

    I have a tendency to shoot at high shutter speeds, I was taught to stop the action, but could I be giving up clarity overall in the rest of the photo?

    Thanks Don
    Don,

    I shoot for a lot of news papers and even though the sports editors want everything dead stopped, they always wind up picking the shots with motion blur. I personally want motion blur as it does convey action. When shooting for magazines and so on for racing you ALWAYS want motion blur on the wheels or it's just a boring static shot, unless it's a crash, and even then certain motion blurr can add a lot to the photo. I had one of LaBonte at the Brickyard 400 last year when he bounced off the turn 3 wall and the slow shutter speed made it look like the paint coming off the wall was in a wind tunnel.
    The AP has certain requirements for their photos Shutter minmum 1000, ISO 800, and you set your exposure via your aperature. This will assure wheel blur for either Indy cars or NASCAR.

    JS
    Canon 1D
    Canon 1D MK II N
    Canon 70-200mm USM IS f2.8
    Canon 200mm f1.8 USM
    Canon 300mm f2.8 USM IS
    Canon 28-300mm USM IS f3.5-5.6
    Canon 50mm f1.8
    Vivitar 19-35mm f3.5-5.6

  11. #11
    Member
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    Re: Ouch! Pain comes in many forms

    JS,

    Thanks again for the tips, I WILL use them and learning is what I am here for. It is nice to know that you shoot are are willing to share. It is appreciated.

    Thanks,
    Don

  12. #12
    Junior Member
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    Re: Ouch! Pain comes in many forms

    Not only is the composition great, but the colors absolutely pop. I can't ever seem to get colors and skins tones like that.

  13. #13
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    Re: Ouch! Pain comes in many forms

    Quote Originally Posted by titantonic
    Not only is the composition great, but the colors absolutely pop. I can't ever seem to get colors and skins tones like that.

    Thanks, but I have to credit the camera on these, the WB was set to Auto with an adjustment to the blue (in camera). These are straight out of the camera, just cropped and resized for the site.
    You get the WB right and it makes life a lot easier, especially in post processing.

    JS
    Canon 1D
    Canon 1D MK II N
    Canon 70-200mm USM IS f2.8
    Canon 200mm f1.8 USM
    Canon 300mm f2.8 USM IS
    Canon 28-300mm USM IS f3.5-5.6
    Canon 50mm f1.8
    Vivitar 19-35mm f3.5-5.6

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