Please post no more than five images a day and respond to as many images as you post. Critics, please be constructive, specific, and nice! Moderated by gahspidy and mtbbrian.
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I don't think I can say a single bad thing about this photo.
The composition is nice, I love the grain, the cobbles. I'm sure someone more experienced could offer something more. For me I just enjoy looking at it.
Please ask before editing my photos and I will gladly do the same.
The sloping road against the strong vertical square window and horizontal wall features give an interesting shape to this shot. I would prefer if that metal barrier was not there though. I find myself being drawn to the surroundings as much as to the photographer and subject.
But it is a very good shot Tuna.
I have a total lack of respect for anything connected with society, except that which makes the roads safer, the beer stronger, the food cheaper, and the old men and old women warmer in the winter and happier in the summer. Brendan Behan
Is that 800 speed film grain? Great composition, did that take any cropping or did you shoot that as is? That window on the left does a great job adding dimension and a great sense of perpendicularity. Is this BW film? If you converted to BW, wow, great job on those tones.
Is that 800 speed film grain? Great composition, did that take any cropping or did you shoot that as is? That window on the left does a great job adding dimension and a great sense of perpendicularity. Is this BW film? If you converted to BW, wow, great job on those tones.
Yes, film (of course) - Neopan 400. About a 1/5 of image cropped away for aesthetic purposes (which presumes I know what I am doing so if you prefer: it is cropped because it is just what I did so there you have it...).
What I like about the picture is all the different elements that I focus on- the apothecary type jars in the window, the graffiti behind the bus bench, the photographer, the subject of the photographer. . . I enjoy this photograph a lot.
Fantastic composition (the tilting road for example) and perfect exposure. That's all a photographer could ask for but you threw in something even better... the beautiful grain of Neopan .
--The camera's role is not to interfere with the photographer's work--
--Cibachrome: It's like printing on gold.
--Edit my photos as part of your commentary if you want to.--
I have to ask as you seem to be the premiere street photographer here; do you just happen on these scenes ready to shoot or do you get the people to pose for you?
They always look like naturally unposed scenes but finding them is a real skill in itself.
What a great shot! I wouldn't be surprised if this ended up as a sticky!
I like the metal railing, the graffiti, the window, they all add to the people there.
danic
George Zimbel: Digital diahhrea is a disease for which there is a simple cure. Take one frame of a scene. It is exquisite training for your eye and your brain. Try it for a month. Then try it for another month…then try it for another month…..
It's definitely a good shot - interesting geometry, expressions, situation, etc. To focus on what could be better, I also feel that it would be better w/o the railing. In general actually, there seems to be just too many objects in the scene competing for attention (if there were just one or two less, it would be OK). Problem is, not sure what could go as they are located at spots where cropping might hurt the geometry.
G
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Feel free to edit and repost my photos as part of your critique.
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I have to ask as you seem to be the premiere street photographer here; do you just happen on these scenes ready to shoot or do you get the people to pose for you?
They always look like naturally unposed scenes but finding them is a real skill in itself.
All my street work is unposed or found but anyone can learn to anticipate situations or people behavior to the point of "seeing" the images before they actually appear. It requires an instictive knowledge of your camera including pre-focus and pre-exposure in many cases and just a lot of shooting (and silent, unobtrusive stalking) - practice, practice, practice - I've been doing this for years and I still go through long spells where I don't get any shots I am happy with but know that I eventually will. It also requires a strict editing sequence - starting in what to shoot and shooting film helps me a lot - I don't shoot a pile of shots as I do with digital and it results in a finer concentration in the scene or subject matter. Then, in post capture or post processing, I edit out many shots that don't meet certain parameters I set for myself including the just missed "moment" or cluttered backgrounds or missed exposure, etc. Finally, much of street shooting is based on a haphazard capture, often shot in "from the hip" style where the images may be askew or blurred, etc. and I've captured some and seen many successful shots in this fashion. However, I personally prefer establishing a certain attention to framing (or composition) into my instictive habits while shooting - I just think it makes for a more impactful image.
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Originally Posted by Anbesol
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