This is also my first post at this forum, so let me introduce myself.
About me:
You can call me Bernie. I am currently based in Hong Kong but I grew up in Sydney. By day, I spend my time in an office environment but I always start getting a bit anxious in the afternoon as the golden hour is approaching.
Besides landscape photography I am also into cartography, food and wine and travel. Indeed, my dream job would be a landscape photographer as it combines all of my passions into one career! But that's a bit of a pipedream really.
About my interest in photography:
I have always had an interest in pictures, though it was not until quite recently that I have started having a keen interest in taking pictures myself. I enjoy looking at photos of all kinds, but I am particularly interested in landscape photography. I have a special interest in anything to do with sun, clouds and water (all three, even better). Hence my comment about the golden hour. I go crazy over a great sunset.
I am definitely a beginner and no more. My "kit" is extremely basic. I have a Canon PowerShot G10, which is, by all means, a very fine point and shoot. I have a sturdy, basic tripod. The G10 is a great camera for someone like me. I feel as though I can get some decent-looking photos from it without too much manipulation (good for a beginner). On the upside, it takes brightly-coloured shots, it has a great big screen so you can see your results straight away, and the controls are very intuitive. The anti-shake technology is also very helpful. On the downside, it has terrible high-ISO performance, the aperture value cannot exceed 8 and the exposure time cannot exceed 15 seconds, so for a sunchaser like me, these are real limitations. But there remains much I can learn with this camera.
About the photos:
Before making this post, I have read some of the discussions about how to encourage constructive criticism. It was suggested that the photographer should also explain the context of the shot, so I will attempt to do so. Feel free to ask for more info if you like. I am grateful for all your comments of course.
SHOT 1: SUNSET, WU KAI SHA FACING TOLO HARBOUR
This was taken as the tide was receding over a mudflat on a still and clear evening (I was in luck!), revealing small rocks in the shallow parts of the water in the foreground. I decided to work with those rocks and give a sense of perspective. The intention is that the viewer will see the rocks, and follow the flow of the water to the left, and then be guided by the pier from the left protruding to the centre towards the boats, the hills, and finally, the setting sun.
I don't shoot in raw, and this is a JPEG that has been modified slightly in iPhoto. The saturation was increased somewhat, as was the contrast. However, these were pretty much the colours I saw too. Some cropping may be justified for the rocks and pools of water in the foreground; I welcome your suggestions.
SHOT 2: STORM CLOUDS, PAU TOI SHAN FACING VICTORIA HARBOUR
This was taken from a hill behind Yau Tong, overlooking Victoria Harbour (Hong Kong's harbour). A generic shot will focus more on the city skyline and the harbour, and crop out most of the sky. However, in this case, I have decided to actually emphasise the sky given the clouds were making a real statement (well, to me anyway). I liked this shot in particular because of the band of clouds in the foreground seem to converge towards the centre of the photo, which so happens is where the harbour is at its narrowest point. The hope is that this will become a natural focal point of the photo.
SHOT 3: AFTERGLOW, SHA LO WAN
This was taken from a jetty at a remote part of Lantau Island, though ironically, very close to the Airport right across a narrow channel of water. I didn't have much to work with here; it was just the beauty of the afterglow that I was hoping to capture. The rocks in the foreground are just blackness though I have included them for foreground interest, but I want to hear what you think. I know some people have suggested shining a torch onto the rocks in this sort of situation to cast some light, but I wonder whether that would make it look very artificial. The water reflects some of the afterglow. This was a 10-second exposure or thereabouts; I wanted to smooth out the water as much as possible.
There was some saturation adjustment to this photo, but little else was done.
SHOT 4: SHIMMER, LUNG KWU TAN
Lung Kwu Tan is a very flat-sloping beach in a remote-ish part of Hong Kong's hinterland. As the tide recedes, there is a brief moment during which the sand takes on a mirror-like quality. When combined with the late afternoon sun, it can make an otherwise ordinary beach look quite nice. I spent an afternoon here a few weeks ago, and want to present to you this shot in portrait (for something different). In the foreground, I have intentionally included small pockets of sand that have LOST the mirror-like quality for contrast against the still-shiny parts, but I am not sure if it works or not. Let me know what you think!
Hope you enjoy these, and I look forward very much to your critique and comments.
Cheers,
Bernie