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I grew up loving trains so for me there is no such thing as a bad train photo, just some are better than others. I really like the sharpness and visible texture from the bottom of the car down (raised lettering etc.) On my monitor the texture gradually starts to fade out from there up. I do not have a calibrated monitor so that could be it. I like the framing and the sepia tone effect. Great find and nice picture
I really like this shot. The framing is very nice. I'm not sure I see the fading that MonkeyWrench mentions, but I do like the textures, sharpness, and the color treatment works really well.
I grew up loving trains so for me there is no such thing as a bad train photo, just some are better than others. I really like the sharpness and visible texture from the bottom of the car down (raised lettering etc.) On my monitor the texture gradually starts to fade out from there up. I do not have a calibrated monitor so that could be it. I like the framing and the sepia tone effect. Great find and nice picture
I'll echo those comments...I can really feel that wonderful weathered texture.
Very nice.
This is very nice but,Gary to be honest, I cannot say that the colour treatment works well on this and I suspect that the old look, which I assume you are after, would still be there but with an even more interesting and variable array of colours without this treatment.
I am seeing damaged paintwork, rust, nuts and bolts, the wonderful wheels and springs and not to mention the colours; the individual character of all these parts have melted into one if you like.
But it's all to personal tastes and I do appreciate what you were after here.
Excellent composition btw.
Do you think you could post a version without the tone effect.
I have a total lack of respect for anything connected with society, except that which makes the roads safer, the beer stronger, the food cheaper, and the old men and old women warmer in the winter and happier in the summer. Brendan Behan
Monkeywrench, GRF, PC, Rick, Tom, Greg. . . .thanks for the time to comment.
I was wondering if anyone had thought it was cropped too tightly, especially near the bottom. there was a concrete slab right below the wheel and I wanted to avoid it in the picture, although it is still slightly visible. I felt ok with the crop.
Tom, I appreciate your view about the post process treatment here. The colors of the train were shades of rust/orange and looked fine, but I felt I wanted a more"aged" look and at the same time reducing the colors brought out more details
Here is the original with slight basic adjustments.
Hello again Gary
Have to admit that the colours are not as I had hoped for. Not very attractive really and without the potential I had visualised. I think the tight crop is spot on.
I have a total lack of respect for anything connected with society, except that which makes the roads safer, the beer stronger, the food cheaper, and the old men and old women warmer in the winter and happier in the summer. Brendan Behan
Nice shot Gary. I might have repositiioned the camera to the right with the same framing so we had more of a driect on shot of the ladder and truck. I can't comment on the colors, since I can't see anything but B/W. I really like the texture and detail.
Tom, I thought you would feel that way. Glad you like the crop.
Mike, thanks for commenting. Actually, I had spent quite a bit of time manuevering around to set up this frame and had thought about your suggestion. I had tried standing over a bit more to my right, directly in front of the truck, while framing it up as seen here. It took on a sort of skewed effect from the angling of the camera. Also, I think being directly in front of the truck and ladder lost some of it's dimension. Like shooting a house straight on and losing the three dimensional aspect of seeing a bit of the side of the house.
But then again, shooting it directly on might have added to the composition in other more subtle ways. I should have taken shots from the various different approaches and to compare later. A lesson learned ...
thanks for the time
The color version, it doesn't make the grade. I feel that I see less detail of the subject as the colors hides the detail. Some times color does get in the way, I feel this is one of those times.
GRF
Panorama Madness:
Nikon D800, 50mm F1.4D AF, 16-35mm, 28-200mm & 70-300mm
Looked at this for quite some time and think it could be cropped to eliminate the concrete all together and it would still be fine. The concrete bugs me.
Definately the original because the detail comes through.
Nicely done.
Roger
"I hope we will never see the day when photo shops sell little schema grills to clamp onto our viewfinders; and the Golden Rule will never be found etched on our ground glass."from The mind's eye by Henri Cartier-Bresson
My Web Site: www.readingr.com DSLR
Canon 5D; EF100-400 F4.5-5.6L IS USM; EF24-70 F2.8L USM 50mm F1.8 II; EF 100 F2.8 Macro Digital
Canon Powershot Pro 1; Canon Ixus 100
Looked at this for quite some time and think it could be cropped to eliminate the concrete all together and it would still be fine. The concrete bugs me.
Definately the original because the detail comes through.
Nicely done.
Roger
Roger,
I went on and edited out the concrete. cloned it out as opposed to cropping any further. I think it was an improvement.
So your for the original over the edited version.
thanks Roger
Roger,
I went on and edited out the concrete. cloned it out as opposed to cropping any further. I think it was an improvement.
So your for the original over the edited version.
thanks Roger
Sorry, Gary - I caused some confusion - I meant the original posting (desaturated) not the one out of the camera.
Hope that clears it up - sorry for the confusion.
Roger
"I hope we will never see the day when photo shops sell little schema grills to clamp onto our viewfinders; and the Golden Rule will never be found etched on our ground glass."from The mind's eye by Henri Cartier-Bresson
My Web Site: www.readingr.com DSLR
Canon 5D; EF100-400 F4.5-5.6L IS USM; EF24-70 F2.8L USM 50mm F1.8 II; EF 100 F2.8 Macro Digital
Canon Powershot Pro 1; Canon Ixus 100