My Favorite Focal Length for Studio Fashion

[benjikan]

Everyone I know in the business have their preferences regarding focal lengths for different applications. I tend to work quite a bit shorter than most when it comes to working in closed quarters in a studio environment. I specify this for a reason. Studio work is a fixed space that you set up lights in and know what those dimensions are for the whole day of the shoot. Unlike interior location shoots where you often have to change settings and adapt your focal lengths to the circumstances.

It is for this reason, that I often find myself using a wide angle zoom in non studio environments. My focal length of choice in 75% of my studio shoots is around 60-75mm i.e. 40-50mm in the 1.5 ratio APS-C sensor cameras. But I tend to shoot closer to the former. I have read on several forums that the majority of shooters tend to shoot quite a bit longer i.e. 90-120mm i.e. 60-80mm 1.5 ration APS-C sensor cameras. I find that getting in closer to the model, allows you to communicate on a different level which in my opinion is more immediate. I am also not that fond of (at least at this juncture in time) that compressed long focal length look. All of the major brands have focal lengths that fill this criteria.

I have on occasion shot shorter than the above at around 30mm (45mm) APS-C, with very pleasing results, but for this focal length I need to work in studio's with very high ceilings, as I more often than not am sitting or lying on the floor when shooting. I also need the much larger seamless when using this wider focal length or just work off of a bare studio cyclo wall.

Shooting at these shorter focal lengths most certainly have a distinctively modern edgy look about them (at least for now)...So don't be afraid to experiment with shorter than the recommended norm for fashion work. It may give you a bit of the edge to stand out from the rest of the very highly populated crowd.

Would love to get your feedback...

http://www.benjaminkanarekblog.com/gdj

[Speed]

My 50mm, f1.4. Hands down. The bokeh is magnificent when used at or near wide open. If you're up close to your model, f1.4 is sharper than you would think it would be. Get back a few more feet, and it starts to get soft. But if you're doing full length shots, then you'll most likely want more DOF.

I have a 35mm, f1.8 that I'm bought a few months back. I don't feel like I've wrung it out completely, but so far I like what I see with it.