Please post no more than five images a day and respond to as many images as you post. Critics, please be constructive, specific, and nice! Moderated by gahspidy and mtbbrian.
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I like the texture all around, specially in the sand. On the other hand the pic leaves me the feeling "I want to see more" Dont know how the surrounding context is but I would like to see a wider shot.
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"A true photograph need not be explained, nor can it be contained in words."Ansel Adams
"Photography is more than a medium for factual communication of ideas. It is a creative art."Ansel Adams
Yes, a little wider but not too much. I'd also wish I could see more texture in chair but good eye and composition with the B/W working well for this shot.
I agree, a bit wider on top and on the right, to expand the upper right corner area. I also wish the chair were positioned so it is not overlapping the post. That is a nit pik though. the tight crop is the real issue.
This wasnt actually cropped. I just framed it too close, needed to take a step back. I didn't place the chair there either it was there when I was walking around and caught my eye.
Dave - As others have noted, the texture is really nice. Though I think the poles work and the chair could too, I'm not sure about the composition here, as things seem clipped and somewhat unbalanced. It has decent appeal but there were probably better angles to be had. I used to shoot these type shots of sand fences on the east coast (not many of them on the pacific side) and would have to maneuver around trying all sorts of angles etc. I usually was happy with about 2-3 decent shots out of 100.
G
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I dont think a BW is the best here, I would definitely like to see the subtle tones of the sand against the strong browns of the pole. Do you have a color version?
I am wondering if the colour version has more to give than the B&W in this image.
Roger R.
"I hope we will never see the day when photo shops sell little schema grills to clamp onto our viewfinders; and the Golden Rule will never be found etched on our ground glass."from The mind's eye by Henri Cartier-Bresson
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